ANTENNA SETUP
By Gino Sigismondi and Crispin Tapia
A Shure Educational Publication
WIRELESS
SYSTEMS
GUIDE
3
ANTENNA SETUP
Wireless Systems Guide for
Table of Contents
Antenna Setup
Introduction . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4
Section One . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5
Antenna Types . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5
Omnidirectional Antennas
. . . . . . . . . . . . . . . . . . . 5
Unidirectional Antennas. . . . . . . . . . . . . . . . . . . . . 5
Antenna Placement . . . . . . . . . . . . . . . . . . . . . . . . . . . 6
Antenna Spacing
. . . . . . . . . . . . . . . . . . . . . . . . . . 6
Antenna Height . . . . . . . . . . . . . . . . . . . . . . . . . . . 7
Antenna Orientation . . . . . . . . . . . . . . . . . . . . . . . . 7
Antenna Distribution . . . . . . . . . . . . . . . . . . . . . . . . . . 7
Passive Splitters (2 receivers)
. . . . . . . . . . . . . . . . . 7
Active Antenna Distribution
(3 or more receivers) . . . . . . . . . . . . . . . . . . . . . . . 8
Antenna Remoting . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8
Antenna Combining . . . . . . . . . . . . . . . . . . . . . . . . . . . 10
Multi-room Antenna Setups
. . . . . . . . . . . . . . . . . . 10
Antenna Combining for
Personal Monitor Transmitters. . . . . . . . . . . . . . . . 10
Quick Tips . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11
Suggested Reading . . . . . . . . . . . . . . . . . . . . . . . . . . . 11
Section Two . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12
Diagrams . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12
2 receivers
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12
3-4 receivers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12
5-8 receivers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12
9-12 receivers . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13
13-16 receivers . . . . . . . . . . . . . . . . . . . . . . . . . . . 13
Large system: 50 channels . . . . . . . . . . . . . . . . . . 13
Antenna combining:
2-4 systems . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14
5-8 systems . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14
9-12 systems . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15
13-16 systems. . . . . . . . . . . . . . . . . . . . . . . . . . . . 15
Remote antenna:
100 feet (
˜
30 m) . . . . . . . . . . . . . . . . . . . . . . . . . . 16
75 feet (
˜
20 m) . . . . . . . . . . . . . . . . . . . . . . . . . . . 16
50 feet (
˜
15 m) . . . . . . . . . . . . . . . . . . . . . . . . . . . 16
30 feet (
˜
10 m) . . . . . . . . . . . . . . . . . . . . . . . . . . . 17
<30 feet (
˜
10 m) . . . . . . . . . . . . . . . . . . . . . . . . . . 17
About the Authors . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18
4
ANTENNA SETUP
Wireless Systems Guide for
Introduction
Introduction
The world of professional audio is filled with
transducers. A transducer is a device that converts
one form of energy to another. In the case of
microphones and loudspeakers, sound waves are
converted to electrical impulses, and vice versa.
The proliferation of wireless audio systems has
introduced yet another category of transducer to
professional audio, the antenna. As defined in the
ARRL (American Radio Relay League) Antenna
Book, “The purpose of an antenna is to convert
radio-frequency electric current to electromagnetic
waves, which are then radiated into space.”
Attached to a receiving device, antennas can also
work in the reverse fashion, converting the
electromagnetic wave back to an electric current.
This reciprocity is similar to the manner in which
a loudspeaker can also function as a microphone
when attached to an audio input.
As with any transducer, following certain
guidelines helps ensure maximum performance.
When dealing with radio frequencies in particular,
considerations such as antenna size, orientation,
and proper cable selection, are important
factors not to be overlooked. Without getting too
technical, this guide presents a series of good
practices for most typical wireless audio
applications. Note that these recommendations
only apply to professional wireless systems with
detachable antennas. For entry-level systems
with permanently affixed antennas, antenna
distribution and remote antenna mounting are
simply not possible.
One final note: These recommendations are
useful guidelines to help achieve satisfactory
performance from wireless audio systems, but
not hard-and-fast rules that need to be followed
to the letter. However, if a wireless system fails
to operate as expected, it is often due to the
disregard of several of these guidelines,
compounding the negative effects. Rarely
does a system fail to function if only a single
recommendation is overlooked!
SECTION ONE
ANTENNA TYPES
The size of an antenna is directly related to the
wavelength of the frequency to be received. The most
common types used in wireless audio systems are 1/4-
wave and 1/2-wave omni-directional antennas, and
unidirectional antennas.
Omnidirectional Antennas
The size of a 1/4-wave antenna is approximately
one-quarter of the wavelength of the desired frequency,
and the 1/2-wave is one-half the wavelength. Wavelength
for radio signals can be calculated by dividing the speed of
light by frequency (see “The Wave Equation”). For example,
a 200 MHz wave has a wavelength of approximately 6 feet
(2 m). Therefore, a 1/2-wave receiver antenna would be
about 3 feet (1 m) long, and a 1/4-wave antenna would be
about 18 inches (45 cm). Note that antenna length
typically needs to only be approximate, not exact. For VHF
applications, an antenna anywhere from 14-18 inches
(35-45 cm) is perfectly appropriate as a 1/4-wave
antenna. Since the UHF band covers a much larger range
of frequencies than VHF, 1/4-wave antennas can range
anywhere from 3 to 6 inches (7-15 cm) in length, so using
the proper length antenna is somewhat more important.
For a system operating at 500 MHz, a 1/4-wave antenna
should be about 6 inches (15 cm). Using an antenna
tuned for an 800 MHz system (about 3 inches, 7 cm,
in length) in the same situation would result in less than
optimum pickup. Wideband omnidirectional antennas
that cover almost the entire UHF band are also available
for applications where receivers with different tuning
ranges need to share a common antenna (see “Antenna
Distribution” page 9).
1/4-wave antennas should only
be used when they can be mounted
directly to the wireless receiver
or antenna distribution system;
this also includes front-mounted
antennas on the rack ears. These
antennas require a ground plane
for proper reception, which is
a reflecting metal surface of
approximately the same size as the
antenna in at least one dimension.
The base of the antenna must be
electrically grounded to the receiver.
The chassis of the receiver (or
distribution system) provides the
necessary ground plane. Do not use
a 1/4-wave antenna for remote antenna mounting.
A 1/2-wave antenna does not require a ground plane,
making it suitable for remote mounting in any location.
While there is a theoretical gain of about 3 dB over a
1/4-wave antenna, in practice, this benefit is seldom
realized. Therefore, there is no compelling reason to
“upgrade” to a 1/2-wave antenna unless remote antennas
are required for the application.
Unidirectional Antennas
A second type of antenna suitable for remote
mounting is a unidirectional, such as yagi or log periodic
antennas. Both types consist of a horizontal boom and
multiple transverse elements. They can provide up to 10
dB more gain than a 1/4-wave antenna, and can also reject
interfering sources from other directions by as much as 30
dB. Yagi antennas are rarely used in wireless microphone
applications due to their quite narrow bandwidth, usually
just a single TV channel (6 MHz). The log periodic antenna
achieves greater bandwidth by using multiple dipoles
whose size and spacing vary in a logarithmic progression.
A longer boom and more elements result in greater
bandwidth and directivity. Some unidirectional antennas
have built-in amplifiers to compensate for losses due to
long cable runs.
ANTENNA SETUP
Wireless Systems Guide for
5
The Wave Equation
1/4 wave and 1/2 wave antennas: UHF range
Wideband
omnidirectional
antenna
With regard to wireless microphone applications,
unidirectional antennas are typically only employed in
UHF systems. Directional antennas are somewhat
frequency specific, so some care must be taken in
selecting the proper antenna to cover the required
frequencies. A directional VHF antenna is 3-5 feet
(1-2 m) wide (just like a roof-mounted television
antenna), which makes mounting a mechanically
cumbersome task. Note that these antennas should be
mounted with the transverse elements in the vertical
direction, rather than horizontal as in a television
application, because the transmitting antennas are
usually also vertical. Unidirectional antennas are
primarily used for long range applications. A minimum
distance of 50 feet (15 m) is recommended between
transmitter and unidirectional antennas.
ANTENNA PLACEMENT
Most wireless receivers have their primary antenna
inputs on the back of the receiver. Since diversity receivers
are discussed here almost exclusively, there will be both
an A antenna input and a B antenna input on the rear
panel of the receiver. BNC connections are most often
used for antenna inputs, although some older (primarily
VHF) systems may have used PL-259 connectors.
Rack-mountable receivers often provide pre-cut holes on
the rack ears to accommodate antenna connections for
front-mounting the antennas. Short coaxial cables and
bulkhead adapters with the proper connector type are all
that is needed to bring the antennas to the front.
When deciding where to mount antennas, always try
to maintain line of sight between the receiving and
transmitting antennas. For example, if the back of the rack
faces the performance area, then rear-mounting the
antennas will provide better line of sight. If the front of the
rack faces the performance area, then front-mounting may
be better, unless a front door to the rack needs to be
closed. Metal equipment racks will block RF from reaching
the antennas mounted inside. Rear-mounted antennas
may not work inside of a metal equipment rack. If the
receiver is not rack-mounted at all, then simply maintain
line of sight, that is, the receiving antennas should be
directly visible from the transmitting position.
Antenna Spacing
Antennas should be separated from each other by a
minimum of one quarter wavelength – about 16 inches (40
cm) for VHF units and about 4 inches (10 cm) for UHF
units. This helps ensure adequate diversity performance.
Diversity reception can be improved by separating
the antennas further, but beyond one full wavelength
the advantage becomes negligible. However, greater
separation may be useful if it results in more strategic
antenna location. For example, increasing separation to
ensure line-of-sight with at least one of the antennas from
any location in the room.
6
ANTENNA SETUP
Wireless Systems Guide for
1/2 wave
(with amplifier)
log periodic
Summary:
1/4-wave antenna
must be mounted on
receiver; do not remote mount.
1/2-wave antenna
suitable for remote
applications.
Unidirectional antenna
also suitable for
remote mount, provides additional gain.
VHF: 16”
UHF: 4”
Adequate spacing
Minimum: > 1/4 wavelength
Best: > 1 wavelength
Antenna Height
Receiver antennas should be clear of obstructions,
including human bodies, which can absorb RF. Therefore,
placing the antennas higher than “crowd level” (5 or 6 feet,
2 m, from the floor) is always recommended.
Antenna Orientation
Receiving antennas should be oriented in the same
plane as the transmitting antenna. Since th e transmitting
antenna is generally in the vertical position, receiving
antennas should also b e vertical. However, handheld
transmitter antennas, because of the dynamics of
live performers, can sometimes vary in position. As a
compromise, antennas can be placed at approximately a 45-
degree angle from vertical. Additionally, never orient antennas
horizontally! This sometimes occurs when antennas are
mounted on the back of the receivers, inside an equipment
rack where there is not enough clearance for vertical
orientation. If this situation arises, either obtain the necessary
parts to front-mount the antennas, or remote-mount them
outside the rack (see Antenna Remoting). Antennas must
always be kept clear of any metal surfaces by at least a few
inches and not touch or cross other receiving antennas.
Antenna distribution systems can help avoid some of these
problems, and they will be discussed in the next section.
ANTENNA DISTRIBUTION
Proper antenna distribution is key to achieving
optimum performance from multiple wireless systems
operating in the same environment. Stacking or rack
mounting wireless receivers results in many closely spaced
antennas, which is not only unsightly and a physical
challenge, but actually degrades the performance of
the wireless systems. Antennas spaced less than 1/4
wavelength apart disrupt the pickup patterns of one
another, resulting in erratic coverage. Additionally, closely
spaced antennas can aggravate local oscillator bleed,
which is a potential source of interference between closely
spaced receivers. Finally, for remote antenna applications,
antenna distribution is essential to keeping the number of
remote antennas and coaxial cable runs to a minimum.
Antenna distribution eliminates these issues by splitting the
signal from a single pair of antennas to feed multiple
receivers. Splitting can be accomplished by either passive
or active means.
Passive Splitters (2 receivers)
Passive splitters are inexpensive and do not require
any power to operate. Using a passive splitter results in a
signal loss of about 3 dB for every split. As a general
rule, no more than 5 dB of loss is acceptable between
the antennas and the receiver inputs. For this reason,
passive splitters should only be used for a single split (i.e.,
splitting a single antenna to two receivers). An additional
consideration with passive splitters is the presence of DC
voltage on the antenna inputs of some receivers. This
voltage is usually present for powering remote antenna
amplifiers directly off a receiver. If two receivers are
connected together with a passive splitter, each receiver
will “see” the voltage from the other receiver at its antenna
inputs. Depending on the design of the receiver, this may
be a problem. To avoid any potential damage, either use a
splitter that incorporates circuitry to block the voltage,
use an external DC blocker, or defeat the voltage on at
least one of the receivers.
7
ANTENNA SETUP
Wireless Systems Guide for
OK
proper and improper antenna and receiver placement
Summary:
Always maintain line-of-sight from
transmitting antenna to receiving antenna.
Separate antennas by at least one-quarter
wavelength.
Orient receiving antennas in the same
plane as transmitting antennas
(typically a 45-degree angle).
Active Antenna Distribution (3 or more receivers)
If distribution is needed for more than two systems,
an active antenna distribution system is recommended.
Active splitters require power to operate, but provide
make-up gain to compensate for the additional losses
resulting from multiple splits off the same antennas.
A typical active system will have 4-5 antenna outputs.
Many active antenna distribution systems will provide
power distribution to the receivers as well. Multiple active
distribution systems can be used together if more outputs
are needed, but this must be done carefully. A theoretically
perfect distribution system would provide unity gain from
input to output. In practice, the antenna outputs of an
active system may have as much as 1.5 - 2 dB of gain.
Over-amplification of the radio signal can cause unwanted
side effects, such as aggravated intermodulation products
and increased radio “noise”. To prevent these problems,
it is strongly recommended to not cascade antenna
distribution systems more than two deep. A better method
is to use a “master” antenna distribution system to split
the signal to a second tier of “slave” distribution systems.
All receivers are then connected to either the “master”
or “slave” distribution systems. Connecting receivers in
this manner keeps all the receivers closer to the pure
antenna signal.
Pay attention to the frequency bandwidth specified
for the antenna distribution system. They are typically
available in both wideband and narrowband varieties.
Wideband refers to a device that will pass frequencies
over a large range, typically several hundred Megahertz.
“Narrowband” devices may be limited to no more
than 20 or 30 MHz. Since these are active devices,
frequencies outside the bandwidth of the distribution
system will not pass on to the receivers.
ANTENNA REMOTING
As mentioned before, some installations require that
the antennas be removed from the receiver chassis and
placed in another location to ensure better line-of-sight
operation. Antennas can be placed outside of the rack on
microphone stands, wall brackets, or any other suitable
mounting device. As discussed before, receivers may
come supplied with either 1/4-wave or 1/2-wave antennas.
The 1/4-wave antennas rely on the receiver chassis to
maintain a ground plane, without which they lose their
effectiveness. Therefore, 1/2-wave antennas must be used
when remote-installing antennas. They do not require the
ground plane supplied by the receiver. Directional antennas
are obviously designed to be remote-mounted as well.
Because of RF loss issues in coaxial cables, it is
important to use the proper low loss coaxial cable. 50 ohm
low loss cable is typically used in wireless microphone
applications. Using 75 ohm cable results in additional loss
due to the impedance mismatch, but this may not be fatal
to the installation, since this loss is typically less than 1 dB.
Cable specifications from any manufacturer should list
a cable's attenuation (loss) at various frequencies in dB
8
ANTENNA SETUP
Wireless Systems Guide for
Antenna distribution: 4 receivers
Antenna distribution: 8 receivers (master/slave)
Summary:
2 receivers = passive antenna splitter
4 - 5 receivers = active antenna distribution
systems
More than 5 receivers = multiple active
systems connected in a “master/slave”
arrangement
per 100 ft (30 m). Use this value to calculate the expected
loss at the receiver for the desired cable run. A loss of
between 3 and 5 dB of signal strength is considered
acceptable. If the cable run results in a loss of greater
than 5 dB, active antenna amplifiers must be used to
compensate in order to avoid poor RF performance. These
active amplifiers may provide a selectable amount of gain.
Power for these amplifiers is drawn from the receiver's
antenna inputs or the antenna distribution system. (Note:
Not all wireless microphone receivers have this voltage
present. Please consult the specifications ahead of time.)
The appropriate gain setting is determined by the loss in
the cable run. The amplifier is placed at the antenna, and
can usually be wall-mounted
or stand-mounted. In extreme
cases, two amplifiers can
sometimes be connected in-
line to achieve longer lengths.
Make certain the receiver or
antenna distribution system
can supply enough current
to power multiple antenna
amplifiers. Finally, as with active
distribution systems, realize
that antenna amplifiers are also
band-specific, available as both narrow or wideband.
Each connection between two sections of cable may result
in some additional signal loss, depending on the connector.
To increase reliability, use one continuous length of cable
to go from the antenna to the receiver. If antenna amplifiers
are being used, mount the antenna directly on the input
of the first amplifier, use one length of cable to go from
the amplifier to the second antenna amplifier (if needed),
and from the second antenna amplifier to the receiver.
Hint: Do not over-amplify the radio signal!
More is certainly not better in this case. Excess
amplification can overload the front-end of the
receiver, causing drop-outs and RF “bleed”
(one transmitter showing up on several
receivers) on an antenna distribution system.
Try to use only the amount of gain necessary to
compensate for loss in the cable. Net gain
should be less than 10 dB.
9
ANTENNA SETUP
Wireless Systems Guide for
Remote antenna amplifier
Summary:
Always use 1/2-wave or directional
antennas for remote mounting.
Use the proper low loss cable for the
installation.
Use the required antenna amplifiers
to compensate for cable loss.
Coaxial antenna cable loss at VHF and UHF frequencies Antenna amplifiers
ANTENNA COMBINING
The converse of antenna distribution, antenna
combining, can be employed in one of two ways. With
wireless microphone systems, multiple antennas can be
combined together to feed a single receiver (or multiple
receivers with antenna distribution) to provide coverage
across multiple rooms or in extremely large spaces. For
wireless personal monitor systems, which usually consist of
rack-mounted transmitters, antenna combining is used to
reduce the number of transmitting antennas, i.e. the
antenna combiner allows all the transmitters to share a
common antenna.
Multi-room Antenna Setups
For multiple room coverage, use passive combiners.
Since they do not require power and are typically compact,
they can be located wherever necessary. A passive
combiner will typically result in at least 3 dB of loss, so be
sure to include this figure when calculating cable loss.
Multiple combiners can be used in series, if more than
two locations need to be covered, so long as enough
amplification is provided to make up for whatever additional
losses are incurred. For situations where more antenna
amplifiers are needed than can be effectively powered by
the receiver or antenna distribution system, additional bias
“Tee” power adapters must be used. These adapters allow
a bias voltage to be “injected” into the antenna cable.
It is important to keep multiple antennas feeding a
common receiver input as isolated from each other as
possible in order to minimize potential phase cancellation
that could result in signal dropout. Certain receiver designs
will be better equipped to deal with this situation than
others, but it is a worthwhile precaution nonetheless.
Antenna Combining for
Personal Monitor Transmitters
Antenna combining is crucial to obtaining optimal
RF performance from personal monitor transmitters.
Several closely-spaced, high-power transmitters suffer from
excessive intermodulation (a transmitter interaction that
produces additional frequencies) problems. In this case, a
passive combiner should be used for combining two
transmitters. For more than two, though, an active combiner
is recommended. An active antenna combiner will typically
accept between 4 to 8 transmitters. Unlike active antenna
distribution systems, which can be cascaded together for
larger setups, active antenna combiners should never be
“actively” cascaded. If
more than one combiner
is needed to combine all
the transmitters together,
a passive combiner
should be used to
connect two active
combiners together. As
always, be aware of any
extra losses incurred with
the passive combiners.
Similar to active
antenna distribution
systems, active combin-
ers also have a specified
frequency bandwidth.
Be sure to select the
proper bandwidth for
the given transmitter
frequencies.
= UA221
(passive combiner)
= UA820
(1/2 wave antenna)
10
ANTENNA SETUP
Wireless Systems Guide for
Multi-room coverage: 3 separate rooms – 6 antennas
UA830WB (RF amplifier)
UA221 (passive combiner)
Equipment
Rack
DC
supply
Room C
Room B Room A
bias T (necessary for more than two amplifiers per line)
Multi-room coverage: 1 room divided by airwalls – 4 antennas
Room C Room ARoom B
Airwalls
Equipment
Rack
= UA830WB
(RF amplifier)
Active antenna combining
QUICK TIPS
The following tips are workarounds that can be used in situations where the proper accessories may not be readily
available. In most wireless microphone applications, there is rarely a single element that causes the whole system to fail,
but rather an aggregation of bad practices that leads to poor performance. With that in mind, employing one or two of
these “in a pinch” solutions is perfectly acceptable.
For a remote antenna application when a 1/2-wave antenna is not available, a 1/4-wave antenna may be used,
as long as it is connected to an amplifier. Performance should be equal in effectiveness to a 1/2-wave antenna
remote-mounted with an amplifier.
A 1/4-wave antenna can still be used in remote situations without an amplifier, but ONLY if a ground plane is
provided. The ground plane should be a metal surface that is at least 1/4-wavelength in diameter and grounded
to the BNC connector.
Using 75-ohm cable is acceptable in remote antenna applications, and is more than likely less expensive than
50-ohm cable. Cable loss must still be taken into account.
• Antennas are designed to be sensitive to particular frequencies. Be sure to use the proper antenna for the
frequency of your wireless system. Antenna efficiency degrades somewhat outside of the designated frequency
range, but the slope is often gentle enough that the “wrong” antenna, if it is relatively close to the desired frequency
range, can be used with only minor attenuation of the RF signal. Note that VHF antennas should not be used for
UHF systems, and vice versa. Additionally, active antennas are strictly band-limited, and will not pass radio
frequencies outside of their specified frequency range.
Dipole antennas designed for transmission of radio frequencies (as in wireless personal monitor systems), can
be used as receiver antennas (and vice versa), IF they are in the right frequency range. The same holds true for
passive directional transmitting antennas.
SUGGESTED READING
To learn more about antennas and wireless microphone applications, the following publications are highly
recommended:
The ARRL Antenna Book - 19th Edition
The National Association for Amateur Radio,
Newington, CT, 2000. ISBN: 0-87259-804-7
Selection and Operation of Wireless Microphone Systems
Tim Vear, Shure Incorporated, Niles, IL. AL25573, 2014
11
ANTENNA SETUP
Wireless Systems Guide for
12
ANTENNA SETUP
Wireless Systems Guide for
5-8 receivers
• (2) active distribution systems* w/4 outputs each
• (2) passive splitters
*Note: For 5 receivers, only 1 active splitter required
A antenna
B antenna
3-4 receivers
(1) active antenna distribution system w/4 outputs
2 receivers
(2) passive splitters
A antenna
B antenna
SLX4
SLX4
SLX4
SLX4
UA844
POWER
UHFANTENNA / POWER DISTRIBUTION SYSTEM
SLX4
SLX4
SLX4
SLX4
UA844
POWER
UHFANTENNA / POWER DISTRIBUTION SYSTEM
SLX4
SLX4
SLX4
SLX4
UA844
POWER
UHFANTENNA / POWER DISTRIBUTION SYSTEM
SLX4
SLX4
SECTION TWO
DIAGRAMS
See pages 7 and 8
for rear connections.
See pages 7 and 8
for rear connections.
13
ANTENNA SETUP
Wireless Systems Guide for
Large system: 50 channels (dual receivers)
(6) active distribution systems w/5 outputs each
A antenna
B antenna
9-12 receivers
(3) active antenna distribution systems w/4 outputs each
A antenna
B antenna
UA844
POWER
UHFANTENNA / POWER DISTRIBUTION SYSTEM
13-16 receivers
(5) active distribution systems w/4 outputs each
A antenna
B antenna
SLX4
SLX4
SLX4
SLX4
UA844
POWER
UHFANTENNA / POWER DISTRIBUTION SYSTEM
SLX4
SLX4
SLX4
SLX4
UA844
POWER
UHFANTENNA / POWER DISTRIBUTION SYSTEM
SLX4
SLX4
SLX4
SLX4
UA844
POWER
UHFANTENNA / POWER DISTRIBUTION SYSTEM
SLX4
SLX4
SLX4
SLX4
UA844
POWER
UHFANTENNA / POWER DISTRIBUTION SYSTEM
SLX4
SLX4
SLX4
SLX4
UA844
POWER
UHFANTENNA / POWER DISTRIBUTION SYSTEM
SLX4
SLX4
SLX4
SLX4
UA844
POWER
UHFANTENNA / POWER DISTRIBUTION SYSTEM
SLX4
SLX4
SLX4
SLX4
UA844
POWER
UHFANTENNA / POWER DISTRIBUTION SYSTEM
UA844
POWER
UHFANTENNA / POWER DISTRIBUTION SYSTEM
See page 10,
“Active Antenna Combining”
for rear connections.
14
ANTENNA SETUP
Wireless Systems Guide for
Antenna combining: 5-8 systems
(1) 8-to-1 active combiner
Antenna combining: 2-4 systems
(1) 4-to-1 antenna combiner
12
345678
PA821
PSM Antenna Combiner
470-870 MHz.
50 OHMS
ACTIVE COMBINER
MAIN OUT
INPUT SIGNAL
A IN B IN A+B OUT
POWER
®
Shown: Shure PA821
with built-in 2-to-1
passive combiner
12
345678
PA821
PSM Antenna Combiner
470-870 MHz.
50 OHMS
ACTIVE COMBINER
MAIN OUT
INPUT SIGNAL
A IN B IN A+B OUT
POWER
®
15
ANTENNA SETUP
Wireless Systems Guide for
Antenna combining: 13-16 systems
(2) 8-to-1 active combiners
with 2-to-1 passive combiner
Antenna combining: 9-12 systems
• (1) 8-to-1 active combiner with
2-to-1 passive combiner
• (1) 4-to-1 active combiner
* For 9 systems, 4 input
combiner not needed.
12
345678
PA821
PSM Antenna Combiner
470-870 MHz.
50 OHMS
ACTIVE COMBINER
MAIN OUT
INPUT SIGNAL
A IN B IN A+B OUT
POWER
®
12
345678
PA821
PSM Antenna Combiner
470-870 MHz.
50 OHMS
ACTIVE COMBINER
MAIN OUT
INPUT SIGNAL
A IN B IN A+B OUT
POWER
®
Shown: Shure PA821
with built-in 2-to-1
passive combiner
12
345678
PA821
PSM Antenna Combiner
470-870 MHz.
50 OHMS
ACTIVE COMBINER
MAIN OUT
INPUT SIGNAL
A IN B IN A+B OUT
POWER
®
12
345678
PA821
PSM Antenna Combiner
470-870 MHz.
50 OHMS
ACTIVE COMBINER
MAIN OUT
INPUT SIGNAL
A IN B IN A+B OUT
POWER
®
Shown: Shure PA821
with built-in 2-to-1
passive combiner
12
345678
PA821
PSM Antenna Combiner
470-870 MHz.
50 OHMS
ACTIVE COMBINER
MAIN OUT
INPUT SIGNAL
A IN B IN A+B OUT
POWER
®
16
ANTENNA SETUP
Wireless Systems Guide for
Remote antenna – 75 feet,
Remote antenna – 50 feet,
Remote antenna – 100 feet,
Net Gain Calculation
Antenna 0 dB
Amplifier +10 dB
100’ RG213 Cable - 7 dB
Net Gain +3 dB
Net Gain Calculation
Antenna 0 dB
Amplifier #1 + 3 dB
Amplifier #2 +10 dB
75’ RG8X Cable -10 dB
Net Gain +3 dB
Net Gain Calculation
Antenna 0 dB
Amplifier +10 dB
50’ RG8X Cable - 6 dB
Net Gain +4 dB
Amp # 1
Amp # 2
100 ft. (30 m) - RG213
25 ft. (7 m) - RG8X
50 ft. (15 m) - RG8X
50 ft. (15 m) - RG8X
˜
30 m
˜
20 m
˜
15 m
17
ANTENNA SETUP
Wireless Systems Guide for
Remote antenna – <30 feet, 10 m
Remote antenna – 30 feet,
Net Gain Calculation
Antenna 0 dB
Amplifier +3 dB
25’ RG8X Cable - 3 dB
Net Gain +0 dB
Net Gain Calculation
Antenna 0 dB
6’ RG58 Cable - 1 dB
Net Gain -1 dB
30 ft. (10 m) - RG8X
6 ft. (2 m) - RG8X
˜
10 m
Many more system diagrams are available in the Shure Knowledge Base at
www.shure.com/support.
ABOUT THE AUTHORS
Gino Sigismondi
Gino is a Shure Associate since 1997 and has been
active in the music and audio industry for over twenty
years. In addition to his work as a live sound and
recording engineer, Gino’s experience also includes
performing and composing. Gino earned his BS
degree in Music Business from Elmhurst College, where
he was a member of the Jazz Band, as both guitar
player and sound technician. Currently leading the
Systems Support group at Shure, Gino and his team
provide technical support for high-end Shure wireless
and conferencing products that rely on software,
firmware, and networking. Additionally, he conducts
training seminars for Shure customers, dealers,
distribution centers, and internal staff.
Crispin Tapia
Crispin Tapia is a Systems Support Engineer at
Shure Incorporated. He has been active in the Chicago
music scene for many years as a performer, and has
experience in live sound engineering and studio
recording. He has earned both a Bachelor’s Degree in
Psychology from the University of Illinois at Chicago,
and a Bachelor’s Degree in Audio Engineering from
Columbia College Chicago. His responsibilities at
Shure Incorporated include providing technical support
via phone, email, web forums, live chats, etc., and
conducting product training seminars to Shure dealers,
Shure staff, and end users. Since joining Shure in 1996,
Crispin has authored several educational booklets,
numerous FAQ’s, and has presented on technical
audio topics for professional trade organizations such
as NAMM, WFX, and the GRAMMY
®
Foundation.
18
ANTENNA SETUP
Wireless Systems Guide for
Additional Shure Audio Institute Publications Available:
Printed or electronic versions of the following guides are available free of charge. To obtain your
complimentary copies, call one of the phone numbers listed below or visit www.shure.com.
• Microphone Techniques for Recording
• Microphone Techniques for Live Sound Reinforcement
• Selection and Operation of Audio Signal Processors
• Selection and Operation of Personal Monitor Systems
• Selection and Operation of Wireless Microphone Systems
• Audio Systems Guide for Video and Film Production
• Audio Systems Guide for Houses of Worship
• Audio Systems Guide for Meetings and Conferences
Application and Product Videos:
The Official Shure Incorporated YouTube channel can
be found at www.youtube.com/user/shureinc.
The Shure YouTube channel includes many
how to
videos, product descriptions and features, artist and
engineer interviews, as well as other valuable content
to help microphone users and audio professionals
stay on top of advancements and get the most out of
their audio equipment.
Our Dedication to Quality Products
Shure offers a complete line of microphones and wireless microphone systems for everyone
from first-time users to professionals in the music industry–for nearly every possible application.
For over nine decades, the Shure name has been synonymous with quality audio.
All Shure products are designed to provide consistent, high-quality performance under the
most extreme real-life operating conditions.
©2016 Shure Incorporated
AL32312 04/16
Asia, Pacific:
Shure Asia Limited
22/F, 625 King’s Road
North Point, Island East
Hong Kong
Phone: +852-2893-4290
Fax: +852-2893-4055
www.shureasia.com
United States, Canada,
Latin America, Caribbean:
Shure Incorporated
5800 West Touhy Avenue
Niles, IL 60714-4608 USA
Phone: +1 847-600-2000
Fax: +1 847-600-1212 (USA)
Fax: +1 847-600-6446
www.shure.com
©2013 Shure Incorporated
Europe, Middle East, Africa:
Shure Europe GmbH
Jakob-Dieffenbacher-Str. 12,
75031 Eppingen, Germany
Phone: +49-7262-92490
Fax: +49-7262-9249114
www.shure.eu