1
MLA style calls for (1) brief in-text documentation and (2) complete bib-
liographic information in a list of works cited at the end of your text. The
models and examples in this chapter draw on the eighth edition of the
MLA Handbook, published by the Modern Language Association in 2016. For
additional information, visit
style.mla.org.
A DIRECTORY TO MLA STYLE
In-Text Documentation 4
1. Author named in a signal phrase 4
2. Author named in parentheses 5
3. Two or more works by the same author 5
4. Authors with the same last name 5
5. Two or more authors 6
6. Organization or government as author 6
7. Author unknown 6
8. Literary works 7
9. Work in an anthology 7
10. Encyclopedia or dictionary 8
11. Legal and historical documents 8
12. Sacred text 8
13. Multivolume work 9
14. Two or more works cited together 9
15. Source quoted in another source 9
16. Work without page numbers 9
17. An entire work or a one-page article 10
MLA Style
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MLA Style
2
Notes 10
List of Works Cited 11
CORE ELEMENTS 11
AUTHORS AND OTHER CONTRIBUTORS 14
1. One author 14
2. Two authors 14
3. Three or more authors 14
4. Two or more works by the same author 15
5. Author and editor or translator 15
6. No author or editor 15
7. Organization or government as author 16
ARTICLES AND OTHER SHORT WORKS 16
8. Article in a journal 16
9. Article in a magazine 18
10. Article in a newspaper 20
11. Article accessed through a database 20
12. Entry in a reference work 22
13. Editorial 22
14. Letter to the editor 23
15. Review 23
16. Comment on an online article 24
BOOKS AND PARTS OF BOOKS 24
17. Basic entries for a book 25
18. Anthology 25
19. Work in an anthology 25
20. Multivolume work 27
21. Book in a series 27
22. Graphic narrative 28
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MLA Style
3
23. Sacred text 28
24. Edition other than the first 28
25. Republished work 28
26. Foreword, introduction, preface, or afterword 29
27. Published letter 29
28. Paper at a conference 29
29. Dissertation 30
WEBSITES 30
30. Entire website 30
31. Work on a website 32
32. Blog entry 32
33. Wiki 32
PERSONAL COMMUNICATION AND SOCIAL MEDIA 32
34. Personal letter 32
35. Email 32
36. Text message 33
37. Post to an online forum 33
38. Post to Twitter, Facebook, or other social media 33
AUDIO, VISUAL, AND OTHER SOURCES 34
39. Advertisement 34
40. Art 34
41. Cartoon 35
42. Supreme Court case 35
43. Film 35
44. Interview 36
45. Map 36
46. Musical score 36
47. Online video 36
48. Oral presentation 37
49. Podcast 37
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MLA Style
4
50. Radio program 37
51. Sound recording 37
52. TV show 38
53. Video game 38
Formatting a Research Paper 39
Sample Research Paper 40
Throughout this chapter, you’ll  nd models and examples that are color
coded to help you see how writers include source information in their texts
and in their lists of works cited: tan for author, editor, translator, and other
contributors; yellow for titles; gray for publication information date of
publication, page number(s) or other location information, and so on.
IN-TEXT DOCUMENTATION
Brief documentation in your text makes clear to your reader what you
took from a source and where in the source you found the information.
In your text, you have three options for citing a source: quoting, para-
phrasing, and summarizing. As you cite each source, you will need to
decide whether or not to name the author in a signal phrase “as Toni
Morrison writes” or in parentheses “(Morrison 24).”
The first examples below show basic in-text documentation of a work
by one author. Variations on those examples follow. The examples illus-
trate the MLA style of using quotation marks around titles of short works
and italicizing titles of long works.
1. AUTHOR NAMED IN A SIGNAL PHRASE
If you mention the author in a signal phrase, put only the page number(s)
in parentheses. Do not write page or p.
McCullough describes John Adams’s hands as those of someone used to
manual labor (18).
McCu
ll
ou
gh
(18)
.
publication
title
author
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MLA Style
5
2. AUTHOR NAMED IN PARENTHESES
If you do not mention the author in a signal phrase, put his or her last
name in parentheses along with the page number(s). Do not use punctua-
tion between the name and the page number(s).
Adams is said to have had “the hands of a man accustomed to pruning
his own trees, cutting his own hay, and splitting his own firewood”
(McCullough 18).
Whether you use a signal phrase and parentheses or parentheses only, try
to put the parenthetical documentation at the end of the sentence or as
close as possible to the material you’ve cited without awkwardly inter-
rupting the sentence. Notice that in the example above, the parenthetical
reference comes after the closing quotation marks but before the period
at the end of the sentence.
3. TWO OR MORE WORKS BY THE SAME AUTHOR
If you cite multiple works by one author, include the title of the work you
are citing either in the signal phrase or in parentheses. Give the full title
if it’s brief; otherwise, give a short version.
Kaplan insists that understanding power in the Near East requires
“Western leaders who know when to intervene, and do so without
illusions” (Eastward 330).
Put a comma between author and title if both are in the parentheses.
Understanding power in the Near East requires “Western leaders who
know when to intervene, and do so without illusions” (Kaplan,
Eastward 330).
4. AUTHORS WITH THE SAME LAST NAME
Give the author’s  rst and last names in any signal phrase, or add the
author’s  rst initial in the parenthetical reference.
(
McCullou
g
h 18
).
Ka
p
lan
330
).
(
East
w
a
r
d
d
(Ka
p
lan,
330)
.
E
ast
w
a
r
d
d
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MLA Style
6
Imaginative applies not only to modern literature but also to writing of
all periods, whereas magical is often used in writing about Arthurian
romances (A. Wilson 25).
5. TWO OR MORE AUTHORS
For a work with two authors, name both, either in a signal phrase or in
parentheses.
Carlson and Ventura’s stated goal is to introduce Julio Cortázar,
Marjorie Agosín, and other Latin American writers to an audience of
English-speaking adolescents (v).
For a work by three or more authors, name the  rst author followed by et al.
One popular survey of American literature breaks the contents into
sixteen thematic groupings (Anderson et al. A19-24).
6. ORGANIZATION OR GOVERNMENT AS AUTHOR
Acknowledge the organization either in a signal phrase or in parentheses.
It’s acceptable to shorten long names.
The US government can be direct when it wants to be. For example, it
sternly warns, “If you are overpaid, we will recover any payments not
due you” (Social Security Administration 12).
7. AUTHOR UNKNOWN
If you don’t know the author, use the work’s title or a shortened version
of the title in the parenthetical reference.
A powerful editorial in last week’s paper asserts that healthy liver donor
Mike Hurewitz died because of “frightening” faulty postoperative care
(“Every Patient’s Nightmare”).
Car
l
son an
d
Ventura’s
(v)
.
A19-24
).
(
Anderson et al.
12
).
(
Social Securit
y
Administration
(
“Ever
y
Patient’s Ni
g
htmare”
).
publication
title
author
25)
.
(A. Wilson
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MLA Style
7
8. LITERARY WORKS
When referring to literary works that are available in many different edi-
tions, give the page numbers from the edition you are using, followed by
information that will let readers of any edition locate the text you are citing.
NOVELS. Give the page and chapter number, separated by a semicolon.
In Pride and Prejudice, Mrs. Bennet shows no warmth toward Jane and
Elizabeth when they return from Netherfield (105; ch. 12).
VERSE PLAYS. Give act, scene, and line numbers, separated with periods.
Macbeth continues the vision theme when he says, “Thou hast no
speculation in those eyes / Which thou dost glare with” (3.3.96-97).
POEMS. Give the part and the line numbers (separated by periods). If a poem
has only line numbers, use the word line(s) only in the first reference.
Whitman sets up not only opposing adjectives but also opposing nouns
in “Song of Myself” when he says, “I am of old and young, of the foolish
as much as the wise, / ... a child as well as a man” (16.330-32).
One description of the mere in Beowulf is “not a pleasant place” (line
1372). Later, it is labeled “the awful place” (1378).
9. WORK IN AN ANTHOLOGY
Name the author(s) of the work, not the editor of the anthologyeither
in a signal phrase or in parentheses.
“It is the teapots that truly shock,” according to Cynthia Ozick in her
essay on teapots as metaphor (70).
In In Short: A Collection of Creative Nonfiction, readers will find both an
essay on Scottish tea (Hiestand) and a piece on teapots as metaphors (Ozick).
Pri
d
e an
d
Pre
j
u
d
ic
e
,
(105; ch. 12)
.
Whitman
“Son
g
o
f
M
y
sel
f
(
16.330-32
).
Beowulf
f
(
line
1372
)
. (1378)
.
C
y
nthia Ozick
(
70
).
In Short: A Collection o
f
Creative Non
f
ictio
n
,
(Hiestand)
(
Ozick
).
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MLA Style
8
10. ENCYCLOPEDIA OR DICTIONARY
Acknowledge an entry in an encyclopedia or dictionary by giving the
author’s name, if available. For an entry without an author, give the entry’s
title in parentheses. If entries are arranged alphabetically, no page number
is needed.
According to Funk & Wagnall’s New World Encyclopedia, early in his
career Kubrick’s main source of income came from “hustling chess
games in Washington Square Park” (“Kubrick, Stanley”).
11. LEGAL AND HISTORICAL DOCUMENTS
For legal cases and acts of law, name the case or act in a signal phrase or
in parentheses. Italicize the name of a legal case.
In 2005, the Supreme Court confirmed in MGM Studios, Inc. v. Grokster,
Ltd. that peer-to-peer file sharing is copyright infringement.
Do not italicize the titles of laws, acts, or well-known historical documents
such as the Declaration of Independence. Give the title and any relevant
articles and sections in parentheses. It’s  ne to use common abbreviations
such as art. or sec. and to abbreviate well-known titles.
The president is also granted the right to make recess appointments
(US Const., art. 2, sec. 2).
12. SACRED TEXT
When citing a sacred text such as the Bible or the Qur’an for the  rst time,
give the title of the edition, and in parentheses give the book, chapter, and
verse (or their equivalent), separated by periods. MLA recommends abbrevi-
ating the names of the books of the Bible in parenthetical references. Later
citations from the same edition do not have to repeat its title.
The wording from The New English Bible follows: “In the beginning of
creation, when God made heaven and earth, the earth was without form
and void, with darkness over the face of the abyss, and a mighty wind
that swept over the surface of the waters” (Gen. 1.1-2).
(“Kubrick, Stanle
y
”)
.
M
GM Stu
d
ios, Inc. v. Gro
k
ster,
Ltd
.
art. 2, sec. 2
).
(
US Const.,
The New En
g
lish Bibl
e
(Gen. 1.1-2)
.
publication
title
author
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13. MULTIVOLUME WORK
If you cite more than one volume of a multivolume work, each time you
cite one of the volumes, give the volume and the page number(s) in paren-
theses, separated by a colon and a space.
Sandburg concludes with the following sentence about those paying last
respects to Lincoln: “All day long and through the night the unbroken
line moved, the home town having its farewell” (4: 413).
If your works cited list includes only a single volume of a multivolume
work, give just the page number in parentheses.
14. TWO OR MORE WORKS CITED TOGETHER
If you’re citing two or more works closely together, you will sometimes
need to provide a parenthetical reference for each one.
Tanner (7) and Smith (viii) have looked at works from a cultural perspective.
If you include both in the same parentheses, separate the references with
a semicolon.
Critics have looked at both Pride and Prejudice and Frankenstein from
a cultural perspective (Tanner 7; Smith viii).
15. SOURCE QUOTED IN ANOTHER SOURCE
When you are quoting text that you found quoted in another source, use
the abbreviation qtd. in in the parenthetical reference.
Charlotte Brontë wrote to G. H. Lewes: “Why do you like Miss Austen so
very much? I am puzzled on that point” (qtd. in Tanner 7).
16. WORK WITHOUT PAGE NUMBERS
For works without page numbers, including many online sources, identify
the source using the author or other information either in a signal phrase
or in parentheses.
Sandbur
g
(4: 413)
.
viii
).
Smith 7;
(
Tanner
(
qtd. in Tanner 7
).
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MLA Style
10
Studies show that music training helps children to be better at multitask-
ing later in life (”Hearing the Music”).
If the source has chapter, paragraph, or section numbers, use them with
the abbreviations ch., par., or sec.: (“Hearing the Music, par. 2). Alternatively,
you can refer to a heading on a screen to help readers locate text.
Under the heading “The Impact of the Railroad,” Rawls notes that the
transcontinental railroad was called an iron horse and a greedy octopus.
For an audio or a video recording, give the hours, minutes, and seconds
(separated by colons) as shown on the player: (00:05-08:30).
17. AN ENTIRE WORK OR A ONE-PAGE ARTICLE
If you cite an entire work rather than a part of it, or if you cite a single-
page article, there’s no need to include page numbers.
Throughout life, John Adams strove to succeed (McCullough).
NOTES
Sometimes you may need to give information that doesn’t  t into the text
itself to thank people who helped you, to provide additional details, to
refer readers to other sources, or to add comments about sources. Such
information can be given in a footnote (at the bottom of the page) or an
endnote (on a separate page with the heading Notes just before your works
cited list). Put a superscript number at the appropriate point in your text,
signaling to readers to look for the note with the corresponding number.
If you have multiple notes, number them consecutively throughout your
paper.
TEXT
This essay will argue that small liberal arts colleges should not recruit
athletes and, more specifically, that giving student athletes preferential
treatment undermines the larger educational goals.
1
publication
title
author
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MLA Style
11
NOTE
1. I want to thank all those who have contributed to my thinking
on this topic, especially my classmates and my teacher Marian Johnson.
LIST OF WORKS CITED
A works cited list provides full bibliographic information for every source
cited in your text. See page 40 for guidelines on formatting this list and
page 48 for a sample works cited list.
Core Elements
The new MLA style provides a list of “core elements” for documenting
sources, advising writers to list as many of them as possible in the order
that MLA speci es. We’ve used these general principles to provide tem-
plates and examples for documenting 53 kinds of sources college writers
most often need to cite, and the following general guidelines for how to
treat each of the core elements.
AUTHORS AND OTHER CONTRIBUTORS
If there is one author, list the name last name  rst: Morrison, Toni.
If there are two authors, list the  rst author last name  rst and the
second one  rst name  rst: Lunsford, Andrea, and Lisa Ede. Put their
names in the order given in the work.
If there are three or more authors, give the  rst author’s name followed
by et al.: Rose, Mike, et al.
Include any middle names or initials: Heath, Shirley Brice; Toklas, Alice B.
If you’re citing an editor, translator, or others who are not authors,
specify their role. For works with multiple contributors, put the one
whose work you wish to highlight before the title, and list any others
you want to mention after the title. For contributors named before
the title, put the label after the name: Fincher, David, director. For
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MLA Style
12
those named after the title, specify their role  rst: directed by David
Fincher.
TITLES
Include any subtitles and capitalize all the words in titles and subtitles
except for articles (a, an, the), prepositions (to, at, from, and so on), and
coordinating conjunctions (and, but, for, or, nor, yet) — unless they are
the  rst or last word of a title or subtitle.
Italicize the titles of books, periodicals, and other long whole works
(Pride and Prejudice, Wired), even if they are part of a larger work.
Enclose in quotation marks the titles of short works and sources that
are part of larger works: “Letter from Birmingham Jail.
To document a source that has no title, describe it without italics or
quotation marks: Letter to the author, Review of doo wop concert.
PUBLICATION INFORMATION
Write publishers’ names in full, but omit words like Company or Inc.
For university presses, use U for “University” and P for “Press”:
Princeton UP, U of California P.
DATES
Whether to give just the year or to include the month and day depends
on the source. Give the full date that you  nd there.
For books, give the year of publication: 1948. If a book lists more than
one date, use the most recent one.
Periodicals may be published annually, monthly, seasonally, weekly,
or daily. Give the full date that you  nd in the periodical: 2011, Apr.
2011, Spring 2011, 16 Apr. 2011.
Abbreviate the months except for May, June, and July: Jan., Feb., Mar.,
Apr., Aug., Sept., Oct., Nov., Dec.
Because online sources often change or even disappear, provide the
date on which you accessed them: Accessed 6 June 2015.
publication
title
author
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MLA Style
13
If an online source includes the time when it was posted or modi ed,
include the time along with the date: 18 Oct. 2005, 9:20 a.m.
LOCATION
For most print articles and other short works, help readers locate the
source by giving a page number or range of pages: p. 24, pp. 24-35. For
those that are not on consecutive pages, give the  rst page number
with a plus sign: pp. 24+.
For online sources, give the URL, omitting http:// or https://. If a source
has a permalink, give that.
For sources found in a database, give the DOI for any that have one.
Otherwise, give the URL.
For physical objects that you  nd in a museum, archive, or some other
place, give the name of the place and its city: Menil Collection, Houston.
Omit the city if it’s part of the place’s name: Boston Public Library.
For performances or other live presentations, name the venue and its
city: Mark Taper Forum, Los Angeles. Omit the city if it’s part of the
place’s name: Berkeley Repertory Theatre.
PUNCTUATION
Use a period after the author name(s) that start an entry (Morrison,
Toni.) and the title of the source you’re documenting (Beloved.)
Use a comma between the author’s last and  rst names: Morrison, Toni.
Sometimes you’ll need to provide information about more than one
work for a single source for instance, when you cite an article from
a periodical that you access through a database. MLA refers to the
periodical and database (or any other entity that holds a source) as
“containers. Use commas between elements within each container
and put a period at the end of each container. For example:
Semuels, Alana. “The Future Will Be Quiet.” The Atlantic, Apr. 2016,
pp. 19-20. ProQuest, search.proquest.com/docview/
1777443553?accountid+42654. Accessed 5 Apr. 2016.
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MLA Style
14
The guidelines below should help you document kinds of sources
you’re likely to use. The  rst section shows how to acknowledge authors
and other contributors and applies to all kinds of sources print, online,
or others. Later sections show how to treat titles, publication information,
location, and access information for many speci c kinds of sources. In
general, provide as much information as possible for each source enough
to tell readers how to  nd a source if they wish to access it themselves.
Authors and Other Contributors
When you name authors and other contributors in your citations, you are
crediting them for their work and letting readers know who’s in on the con-
versation. The following guidelines for citing authors and other contribu-
tors apply to all sources you cite: in print, online, or in some other media.
1. ONE AUTHOR
Author’s Last Name, First Name. Title. Publisher, Date.
Anderson, Curtis. The Long Tail: Why the Future of Business Is Selling
Less of More. Hyperion, 2006.
2. TWO AUTHORS
1st Author’s Last Name, First Name, and 2nd Author’s First and Last
Names. Title. Publisher, Date.
Lunsford, Andrea, and Lisa Ede. Singular Texts/Plural Authors:
Perspectives on Collaborative Writing. Southern Illinois UP, 1990.
3. THREE OR MORE AUTHORS
1st Author’s Last Name, First Name, et al. Title. Publisher, Date.
Sebranek, Patrick, et al. Writers INC: A Guide to Writing, Thinking, and
Learning. Write Source, 1990.
publication
title
author
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15
4. TWO OR MORE WORKS BY THE SAME AUTHOR
Give the author’s name in the  rst entry, and then use three hyphens in
the author slot for each of the subsequent works, listing them alphabeti-
cally by the  rst important word of each title.
Author’s Last Name, First Name. Title That Comes First Alphabetically.
Publisher, Date.
- - -. Title That Comes Next Alphabetically. Publisher, Date.
Kaplan, Robert D. The Coming Anarchy: Shattering the Dreams of the
Post Cold War. Random House, 2000.
- - -. Eastward to Tartary: Travels in the Balkans, the Middle East, and the
Caucasus. Random House, 2000.
5. AUTHOR AND EDITOR OR TRANSLATOR
Author’s Last Name, First Name. Title. Role by First and Last Names,
Publisher, Date.
Austen, Jane. Emma. Edited by Stephen M. Parrish, W. W. Norton, 2000.
Dostoevsky, Fyodor. Crime and Punishment. Translated by Richard Pevear
and Larissa Volokhonsky, Vintage Books, 1993.
Start with the editor or translator if you are focusing on that contribution
rather than the author’s.
Pevear, Richard, and Larissa Volokhonsky, translators. Crime and
Punishment. By Fyodor Dostoevsky, Vintage Books, 1993.
6. NO AUTHOR OR EDITOR
When there’s no known author or editor, start with the title.
The Turner Collection in the Clore Gallery. Tate Publications, 1987.
“Being Invisible Closer to Reality.“ The Atlanta Journal-Constitution,
11 Aug. 2008, p. A3.
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MLA Style
16
7. ORGANIZATION OR GOVERNMENT AS AUTHOR
Organization Name. Title. Publisher, Date.
Diagram Group. The Macmillan Visual Desk Reference. Macmillan, 1993.
For a government publication, give the name of the government  rst, fol-
lowed by the names of any department and agency.
United States, Department of Health and Human Services, National
Institute of Mental Health. Autism Spectrum Disorders.
Government Printing Office, 2004.
When the organization is both author and publisher, start with the title
and list the organization only as the publisher.
Stylebook on Religion 2000: A Reference Guide and Usage Manual.
Catholic News Service, 2002.
Articles and Other Short Works
Articles, essays, reviews, and other shorts works are found in journals,
magazines, newspapers, other periodicals, and books all of which you
may  nd in print, online, or in a database. For most short works, you’ll need
to provide information about the author, the titles of both the short work
and the longer work, any page numbers, and various kinds of publication
information, all explained below.
8. ARTICLE IN A JOURNAL
PRINT
Author’s Last Name, First Name. “Title of Article.” Name of Journal,
Volume, Issue, Date, Pages.
publication
title
author
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MLA Style
17
Documentation Map (MLA)
Article in a Print Journal
Title of article
Author
Name of journal
Volume
Issue
Year
Neuhaus, Jessamyn. “Marge Simpson, Blue-Haired Housewife: Defining
Domesticity on The Simpsons.” The Journal of Popular Culture,
vol. 43, no. 4, 2010, pp. 761-81.
Neuhaus, Jessam
y
n. “Mar
g
e Simpson, Blue-Haired Housewife: Definin
g
Domesticit
y
on
Th
e Sim
p
son
s
.”
The Journal o
f
Po
p
ular Culture,
vo
l
. 43, no. 4, 2010,
pp.
7
6
1-
8
1
.
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MLA Style
18
Cooney, Brian C. “Considering Robinson Crusoe’s ‘Liberty of Conscience’
in an Age of Terror.” College English, vol. 69, no. 3, Jan. 2007,
pp. 197-215.
ONLINE
Author’s Last Name, First Name. “Title of Article.” Name of Journal,
Volume, Issue, Date, Pages (if any), URL. Accessed Day Month Year.
Gleckman, Jason. “Shakespeare as Poet or Playwright? The Player’s Speech
in Hamlet.Early Modern Literary Studies, vol. 11, no. 3, Jan. 2006,
purl.oclc.org/emls/11-3/glechaml.htm. Accessed 31 Mar. 2015.
9. ARTICLE IN A MAGAZINE
PRINT
Author’s Last Name, First Name. “Title of Article.” Name of Magazine,
Date, Pages.
Neyfakh, Leon. “The Future of Getting Arrested.” The Atlantic, Jan.-Feb.
2015, pp. 26+.
ONLINE
Author’s Last Name, First Name. “Title of Article.” Name of Magazine,
Date on web, Pages (if any), URL. Accessed Day Month Year.
Khazan, Olga. “Forgetting and Remembering Your First Language.”
The Atlantic, 24 July 2014, www.theatlantic.com/international/
archive/2014/07/learning-forgetting-and-remembering-your-first-
language/374906/. Accessed 2 Apr. 2015.
publication
title
author
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MLA Style
19
Documentation Map (MLA)
Article in an Online Magazine
Segal, Michael. “The Hit Book That Came from Mars.” Nautilus,
8 Jan. 2015, nautil.us/issue/20/creativity/the-hit-book-that-
came-from-mars. Accessed 10 Oct. 2016.
8 Jan. 2015, nautil.us/issue/20/creativit
y
/the-hit-book-that
-
“The Hit Book That Came
f
rom Mars.” Nautilus
,
Se
g
al, Michael.
came-
f
rom-mars. Accessed 10 Oct. 2016
.
Name of
magazine
Author
Date
Title of
article
URL
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MLA Style
20
10. ARTICLE IN A NEWSPAPER
PRINT
Author’s Last Name, First Name. “Title of Article.” Name of Newspaper,
Date, Pages.
Saulny, Susan, and Jacques Steinberg. “On College Forms, a Question of
Race Can Perplex.” The New York Times, 14 June 2011, p. A1.
To document a particular edition of a newspaper, list the edition (late ed.,
natl. ed., and so on) after the date. If a section of the newspaper is num-
bered, put that detail after the edition information.
Burns, John F., and Miguel Helft. “Under Pressure, YouTube Withdraws
Muslim Cleric’s Videos.” The New York Times, 4 Nov. 2010, late ed.,
sec. 1, p. 13.
ONLINE
Author’s Last Name, First Name. “Title of Article.” Name of Newspaper,
Date on web, URL. Accessed Day Month Year.
Banerjee, Neela. “Proposed Religion-Based Program for Federal Inmates
Is Canceled.” The New York Times, 28 Oct. 2006, www.nytimes.
com/2006/10/28/us/28prison.html?_r=0. Accessed 4 Apr. 2015.
11. ARTICLE ACCESSED THROUGH A DATABASE
Author’s Last Name, First Name. “Title of Article.” Name of Periodical,
Volume, Issue, Date, Pages. Name of Database, DOI or URL.
Accessed Day Month Year.
Stalter, Sunny. “Subway Ride and Subway System in Hart Crane’s ‘The
Tunnel.’” Journal of Modern Literature, vol. 33, no. 2, Jan. 2010,
pp. 70- 91. JSTOR, doi: 10.2979/jml.2010.33.2.70. Accessed 30 Mar.
2015.
publication
title
author
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MLA Style
21
Documentation Map (MLA)
Journal Article Accessed through a Database
Title of article
Pages
Volume,
issue, date
Author
Name of
periodical
URL
Neuhaus, Jessamyn. “Marge Simpson, Blue-Haired Housewife: Defi ning
Domesticity on The Simpsons. Journal of Popular Culture, vol. 43,
no. 4, Aug. 2010, pp. 761-81. SPORT Discus with Full Text, ezproxy.
libraries.wright.edu/login?url=http://search.ebscohost.com/login.aspx?
direct=true&db=a9h&AN=52300944&site=ehost-live. Accessed 24 Mar.
2016.
no. 4, Au
g
.
20
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6
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8
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. 43
,
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MLA Style
22
12. ENTRY IN A REFERENCE WORK
PRINT
Author’s Last Name, First Name (if any). “Title of Entry.” Title of
Reference Book, edited by Editor’s First and Last Names (if any),
Edition number, Publisher, Date, Pages.
“California.” The New Columbia Encyclopedia, edited by William H.
Harris and Judith S. Levey, 4th ed., Columbia UP, 1975, pp. 423-24.
If there’s no author given, start with the title of the entry.
“Feminism.” Longman Dictionary of American English, Longman, 1983,
p. 252.
ONLINE
Document online reference works the same as print ones, adding the URL
and access date after the date of publication.
“Baseball.” The Columbia Electronic Encyclopedia, edited by Paul Lagassé,
6th ed., Columbia UP, 2012. www.infoplease.com/encyclopedia.
Accessed 25 May 2016.
13. EDITORIAL
PRINT
“Title of Editorial.” Editorial. Name of Periodical, Date, Page.
“Gas, Cigarettes Are Safe to Tax.” Editorial. The Lakeville Journal, 17 Feb.
2005, p. A10.
publication
title
author
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MLA Style
23
ONLINE
“Title of Editorial.” Editorial. Name of Periodical, Date on web, URL.
Accessed Day Month Year.
“Keep the Drinking Age at 21.” Editorial. Chicago Tribune, 28 Aug.
2008, articles.chicagotribune.com/2008-08-26/news/0808250487_1_
binge-drinking-drinking-age-alcohol-related-crashes. Accessed
26 Apr. 2015.
14. LETTER TO THE EDITOR
Author’s Last Name, First Name. “Title of Letter (if any).” Letter. Name
of Periodical, Date on web, URL. Accessed Day Month Year.
Pinker, Steven. “Language Arts.” Letter. The New Yorker, 4 June 2012,
www.newyorker.com/magazine/2012/06/04/language-arts-2. Accessed
6 Apr. 2015.
15. REVIEW
PRINT
Reviewer’s Last Name, First Name. “Title of Review.” Review of Title, by
Author’s First and Last Names. Name of Periodical, Date, Pages.
Frank, Jeffrey. “Body Count.” Review of The Exception, by Christian
Jungersen. The New Yorker, 30 July 2007, pp. 86-87.
If a review has no author or title, start with what’s being reviewed:
Review of Ways to Disappear, by Idra Novey. The New Yorker, 28 Mar.
2016, p. 79.
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MLA Style
24
ONLINE
Reviewer’s Last Name, First Name. “Title of Review.” Review of Title,
by Author’s First and Last Names. Name of Periodical, Date, URL.
Accessed Day Month Year.
Donadio, Rachel. “Italy’s Great, Mysterious Storyteller.” Review
of My Brilliant Friend, by Elena Ferrante. The New York Review
of Books, 18 Dec. 2014, www.nybooks.com/articles/2014/
12/18/italys-great-mysterious-storyteller. Accessed 28 Sept. 2015.
16. COMMENT ON AN ONLINE ARTICLE
Commenter. Comment on “Title of Article.” Name of Periodical,
Date posted, Time posted, URL. Accessed Day Month Year.
Nick. Comment on “The Case for Reparations.” The Atlantic, 22 May
2014, 3:04 p.m., www.theatlantic.com/business/archive/2014/05/
how-to-comment-on-reparations/371422/#article-comments.
Accessed 8 May 2015.
Books and Parts of Books
For most books, you’ll need to provide information about the author, the
title, the publisher, and the year of publication. If you found the book
inside a larger volume, a database, or some other work, be sure to specify
that as well.
publication
title
author
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MLA Style
25
17. BASIC ENTRIES FOR A BOOK
PRINT
Author’s Last Name, First Name. Title. Publisher, Year of publication.
Watson, Brad. Miss Jane. W. W. Norton, 2016.
EBOOK
Document an ebook as you would a print book, but add information about
the ebook or the type of ebook if you know it.
Watson, Brad. Miss Jane. Ebook, W. W. Norton, 2016.
Watson, Brad. Miss Jane. Kindle ed., W. W. Norton, 2016.
IN A DATABASE
Author’s Last Name, First Name. Title. Publisher, Year of publication.
Name of Database, DOI or URL. Accessed Day Month Year.
Anderson, Sherwood. Winesburg, Ohio. B. W. Huebsch, 1919.
Bartleby.com, www.bartleby.com/156/. Accessed 8 Apr. 2015.
18. ANTHOLOGY
Last Name, First Name, editor. Title. Publisher, Year of publication.
Hall, Donald, editor. The Oxford Book of Children’s Verse in America.
Oxford UP, 1985.
19. WORK IN AN ANTHOLOGY
Author’s Last Name, First Name. “Title of Work.” Title of Anthology,
edited by First and Last Names, Publisher, Year of publication,
Pages.
Achebe, Chinua. “Uncle Ben’s Choice.” The Seagull Reader: Literature,
edited by Joseph Kelly, W. W. Norton, 2005, pp. 23-27.
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MLA Style
26
Fontanella-Khan, Amana. Pink Sari Revolution: A Tale of Women and
Power in India. W. W. Norton, 2013.
Fontanella-Khan
,
Amana.
P
ink Sari Revolution: A Tale of Women an
d
P
o
w
e
r in In
d
i
a
.
W
. W. Norton,
20
1
3
.
Documentation Map (MLA)
Print Book
Title
Subtitle
Author
Publisher
Year of publication
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MLA Style
27
TWO OR MORE WORKS FROM ONE ANTHOLOGY
Prepare an entry for each selection by author and title, followed by the
anthology editors’ last names and the pages of the selection. Then include
an entry for the anthology itself (see no. 18).
Author’s Last Name, First Name. “Title of Work.” Anthology Editors’
Last Names, Pages.
Hiestand, Emily. “Afternoon Tea.” Kitchen and Jones, pp. 65-67.
Ozick, Cynthia. “The Shock of Teapots.” Kitchen and Jones, pp. 68-71.
20. MULTIVOLUME WORK
ALL VOLUMES
Author’s Last Name, First Name. Title of Work. Publisher, Year(s) of
publication. Number of vols.
Churchill, Winston. The Second World War. Houghton Mifflin, 1948-53.
6 vols.
SINGLE VOLUME
Author’s Last Name, First Name. Title of Work. Vol. number, Publisher,
Year of publication. Number of vols.
Sandburg, Carl. Abraham Lincoln: The War Years. Vol. 2, Harcourt, Brace
& World, 1939. 4 vols.
21. BOOK IN A SERIES
Author’s Last Name, First Name. Title of Book. Edited by First and Last
Names, Publisher, Year of publication. Series Title.
Walker, Alice. Everyday Use. Edited by Barbara T. Christian, Rutgers UP,
1994. Women Writers: Texts and Contexts.
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MLA Style
28
22. GRAPHIC NARRATIVE
Author’s Last Name, First Name. Title. Publisher, Year of publication.
Bechdel, Alison. Fun Home: A Family Tragicomedy. Houghton Mifflin, 2006.
If the work has both an author and an illustrator, start with the one whose
work is more relevant to your research, and label the role of anyone who’s
not an author.
Pekar, Harvey. Bob & Harv’s Comics. Illustrated by R. Crumb, Running
Press, 1996.
Crumb, R., illustrator. Bob & Harv’s Comics. By Harvey Pekar, Running
Press, 1996.
23. SACRED TEXT
If you cite a speci c edition of a religious text, you need to include it in
your works cited list.
The New English Bible with the Apocrypha. Oxford UP, 1971.
The Torah: A Modern Commentary. Edited by W. Gunther Plaut, Union
of American Hebrew Congregations, 1981.
24. EDITION OTHER THAN THE FIRST
Author’s Last Name, First Name. Title. Name or number of edition,
Publisher, Year of publication.
Fowler, H. W. A Dictionary of Modern English. 2nd ed., Oxford UP, 1965.
25. REPUBLISHED WORK
Author’s Last Name, First Name. Title. Year of original publication.
Current publisher, Year of republication.
Bierce, Ambrose. Civil War Stories. 1909. Dover, 1994.
publication
title
author
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MLA Style
29
26. FOREWORD, INTRODUCTION, PREFACE, OR AFTERWORD
Part Author’s Last Name, First Name. Name of Part. Title of Book,
by Author’s First and Last Names, Publisher, Year of publication,
Pages.
Tanner, Tony. Introduction. Pride and Prejudice, by Jane Austen, Penguin,
1972, pp. 7-46.
27. PUBLISHED LETTER
Letter Writer’s Last Name, First Name. Letter to First and Last
Names. Day Month Year. Title of Book, edited by First and Last
Names, Publisher, Year of publication, Pages.
White, E. B. Letter to Carol Angell. 28 May 1970. Letters of E. B. White,
edited by Dorothy Lobarno Guth, Harper & Row, 1976, p. 600.
28. PAPER AT A CONFERENCE
PAPER PUBLISHED IN CONFERENCE PROCEEDINGS
Author’s Last Name, First Name. “Title of Paper.” Title of Published
Conference Proceedings, edited by First and Last Names, Publisher,
Year of publication, Pages.
Flower, Linda. “Literate Action.” Composition in the Twenty-first Century:
Crisis and Change, edited by Lynn Z. Bloom et al., Southern Illinois
UP, 1996, pp. 249-60.
PAPER HEARD AT A CONFERENCE
Author’s Last Name, First Name. “Title of Paper.” Title of Conference,
Day Month Year, Location, City.
Hern, Katie. “Inside an Accelerated Reading and Writing Classroom.”
Conference on Acceleration in Developmental Education, 15 June
2016, Sheraton Inner Harbor Hotel, Baltimore.
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30
29. DISSERTATION
Author’s Last Name, First Name. Title. Diss. Institution, Year, Publisher,
Year of publication.
Goggin, Peter N. A New Literacy Map of Research and Scholarship in
Computers and Writing. Diss. Indiana U of Pennsylvania, 2000,
University Microfilms International, 2001.
For an unpublished dissertation, put the title in quotation marks, and end
with the institution and the year.
Kim, Loel. “Students Respond to Teacher Comments: A Comparison of
Online Written and Voice Modalities.” Diss. Carnegie Mellon U, 1998.
Websites
Many sources are available in multiple media for example, a print peri-
odical that is also on the web and contained in digital databases but
some are published only on websites. This section covers the latter.
30. ENTIRE WEBSITE
Last Name, First Name, role. Title of Site. Publisher, Date, URL.
Accessed Day Month Year.
Zalta, Edward N., principal editor. Stanford Encyclopedia of Philosophy.
Metaphysics Research Lab, Center for the Study of Language, Stanford
U, 1995-2015, plato.stanford.edu/index.html. Accessed 21 Apr. 2015.
PERSONAL WEBSITE
Author’s Last Name, First Name. Title of Site. Date, URL. Accessed Day
Month Year.
Heath, Shirley Brice. Shirley Brice Heath. 2015, shirleybriceheath.net.
Accessed 6 June 2015.
publication
title
author
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MLA Style
31
Documentation Map (MLA)
Work on a Website
McIlwain, John, et al. “Housing in America: Integrating Housing, Health,
and Resilience in a Changing Environment.” Urban Land Institute,
Urban Land Institute, 28 Aug. 2014, uli.org/report/housing-in-
america-housing-health-resilience. Accessed 17 Sept. 2015.
McI
l
wain, Jo
h
n, et a
l
. “Housin
g
in America: Inte
g
ratin
g
Housin
g
, Hea
l
t
h
,
an
d
Resi
l
ience in a C
h
an
g
in
g
Environment.” Ur
b
an Lan
d
Institute
,
Ur
b
an Lan
d
Institute, 28 Au
g
. 2014, u
l
i.or
g
/report/
h
ousin
g
-in
-
america-
h
ousin
g
-
h
ea
l
t
h
-resi
l
ience. Accesse
d
17 Sept. 2015
.
Authors
Date
posted
Title of
work
URL
Title of site
Publisher
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MLA Style
32
31. WORK ON A WEBSITE
Author’s Last Name, First Name (if any). “Title of Work.” Title of Site,
Publisher, Date, URL. Accessed Day Month Year.
“Global Minnesota: Immigrants Past and Present.” Immigration History
Research Center, U of Minnesota, 2015, cla.umn.edu.ihrc. Accessed
25 May 2016.
32. BLOG ENTRY
Author’s Last Name, First Name. “Title of Blog Entry.” Title of
Blog, Date, URL. Accessed Day Month Year.
Hollmichel, Stefanie. “Bringing Up the Bodies.” So Many Books, 10 Feb.
2014, somanybooksblog.com/2014/02/10/bring-up-the-bodies/.
Accessed 12 Feb. 2014.
Document a whole blog as you would an entire website (no. 30) and a
comment on a blog as you would a comment on an online article (no. 16).
33. WIKI
“Title of Entry.” Title of Wiki, Publisher, Date, URL. Accessed Day Month
Year.
“Pi.” Wikipedia, Wikimedia Foundation, 28 Aug. 2013, en.wikipedia.org/
wiki/Pi. Accessed 25 Oct. 2013.
Personal Communication and Social Media
34. PERSONAL LETTER
Sender’s Last Name, First Name. Letter to the author. Day Month Year.
Quindlen, Anna. Letter to the author. 11 Apr. 2013.
35. EMAIL
Sender’s Last Name, First Name. “Subject Line.” Received by First and
Last Names, Day Month Year.
publication
title
author
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MLA Style
33
Smith, William. “Teaching Grammar Some Thoughts.” Received by
Richard Bullock, 19 Nov. 2013.
36. TEXT MESSAGE
Sender’s Last Name, First Name. Text message. Received by First and Last
Names, Day Month Year.
Douglass, Joanne. Text message. Received by Kim Yi, 4 June 2015.
37. POST TO AN ONLINE FORUM
Author. “Subject line” or “Full text of short untitled post.” Name of
Forum, Day Month Year, URL.
@somekiryu. “What’s the hardest part about writing for you?” Reddit,
22 Apr. 2016, redd.it/4fyni0.
38. POST TO TWITTER, FACEBOOK, OR OTHER SOCIAL MEDIA
Author. “Full text of short untitled post” or “Title” or Descriptive label.
Name of Site, Day Month Year, Time, URL.
@POTUS (Barack Obama). “I’m proud of the @NBA for taking a stand
against gun violence. Sympathy for victims isn’t enough change
requires all of us speaking up.” Twitter, 23 Dec. 2015, 1:21 p.m.,
twitter.com/POTUS/status/679773729749078016.
Black Lives Matter. “Rise and Grind! Did you sign this petition yet?
We now have a sign on for ORGANIZATIONS to lend their
support.” Facebook, 23 Oct. 2015, 11:30 a.m., www.facebook.com/
BlackLivesMatter/photos/a.294807204023865.1073741829.
180212755483311/504711973033386/?type=3&theater.
@quarterlifepoetry. Illustrated poem about girl at Target. Instagram,
22 Jan. 2015, www.instagram.com/p/yLO6fSurRH/.
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MLA Style
34
Audio, Visual, and Other Sources
39. ADVERTISEMENT
PRINT
Name of Product or Company. Advertisement or Description of ad.
Title of Periodical, Date, Page.
Cal Alumni Association. Sports Merchandise ad. California, Spring 2016, p. 3.
AUDIO OR VIDEO
Name of Product or Company. Advertisement or Description of ad.
Date. Name of Host Site, URL. Accessed Day Month Year.
Chrysler. Super Bowl commercial. 6 Feb. 2011. YouTube,
www.youtube.com/watch?v=SKLZ254Y_jtc. Accessed 1 May 2015.
40. ART
ORIGINAL
Artist’s Last Name, First Name. Title of Art. Year created, Site, City.
Van Gogh, Vincent. The Potato Eaters. 1885, Van Gogh Museum, Amsterdam.
REPRODUCTION
Artist’s Last Name, First Name. Title of Art. Year created. Title of Book,
by First and Last Names, Publisher, Year of publication, Page.
Van Gogh, Vincent. The Potato Eaters. 1885. History of Art: A Survey of
the Major Visual Arts from the Dawn of History to the Present Day,
by H. W. Janson, Prentice-Hall/Harry N. Abrams, 1969, p. 508.
ONLINE
Artist’s Last Name, First Name. Title of Art. Year created. Name of Site,
URL. Accessed Day Month Year.
Warhol, Andy. Self-portrait. 1979. J. Paul Getty Museum, www.getty.
edu/art/collection/objects/106971/andy-warhol-self-portrait-
american-1979/. Accessed 20 Jan. 2015.
publication
title
author
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35
41. CARTOON
PRINT
Author’s Last Name, First Name. “Title of Cartoon.”Title of Periodical,
Date, Page.
Chast, Roz. “The Three Wise Men of Thanksgiving.” The New Yorker,
1 Dec. 2003, p. 174.
ONLINE
Author’s Last Name, First Name. “Title of Cartoon.” Title of Site,
Date, URL. Accessed Day Month Year.
Munroe, Randall. “Up Goer Five.” xkcd, 12 Nov. 2012, xkcd.com/1133/.
Accessed 22 Apr. 2015.
42. SUPREME COURT CASE
First Plaintiff v. First Defendant. United States Reports citation. Name of
Court, Year of decision, URL. Accessed Day Month Year.
District of Columbia v. Heller. 554 US 570. Supreme Court of the US, 2008,
www.lawcornell.edu/supct/html/07-290.ZS.html. Accessed 3 June 2016.
43. FILM
Name individuals based on the focus of your project the director, the
screenwriter, the cinematographer, or someone else.
Title of Film. Role by First and Last Names, Production Studio, Date.
Breakfast at Tiffany’s. Directed by Blake Edwards, Paramount, 1961.
STREAMING
Title of Film. Role by First and Last Names, Production Studio,
Date. Streaming Service, URL. Accessed Day Month Year.
Interstellar. Directed by Christopher Nolan, Paramount, 2014. Amazon
Prime Video, www.amazon.com/Interstellar-Matthew-McConaughey/
dp/B00TU9UFTS. Accessed 2 May 2015.
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36
44. INTERVIEW
If the interview has a title, put it in quotation marks following the sub-
ject’s name.
BROADCAST
Subject’s Last Name, First Name. Interview or “Title of Interview.”
Title of Program, Network, Day Month Year.
Gates, Henry Louis, Jr. Interview. Fresh Air, NPR, 9 Apr. 2002.
PUBLISHED
Subject’s Last Name, First Name. Interview or “Title of Interview.” Title
of Publication, Date, Pages.
Stone, Oliver. Interview. Esquire, Nov. 2004, pp. 170-71.
PERSONAL
Subject’s Last Name, First Name. Personal interview. Day Month Year.
Roddick, Andy. Personal interview. 17 Aug. 2013.
45. MAP
“Title of Map.” Publisher, URL. Accessed Day Month Year.
“National Highway System.“ US Department of Transportation Federal
Highway Administration, www.fhwa.dot.gov/planning/images/nhs.pdf.
Accessed 10 May 2015.
46. MUSICAL SCORE
Composer’s Last Name, First Name. Title of Composition. Year of
composition. Publisher, Year of publication.
Stravinsky, Igor. Petrushka. 1911. W. W. Norton, 1967.
47. ONLINE VIDEO
Author’s Last Name, First Name. Title. Name of Host Site, Date, URL.
Accessed Day Month Year.
publication
title
author
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MLA Style
37
Westbrook, Adam. Cause/Effect: The Unexpected Origins of Terrible Things.
Vimeo, 9 Sept. 2014, vimeo.com/105681474. Accessed 20 Dec. 2015.
48. ORAL PRESENTATION
Presenter’s Last Name, First Name. “Title of Presentation.” Sponsoring
Institution, Date, Location.
Cassin, Michael. “Nature in the Raw The Art of Landscape Painting.”
Berkshire Institute for Lifelong Learning, 24 Mar. 2005, Clark Art
Institute, Williamstown.
49. PODCAST
If you accessed a podcast online, give the URL and date of access; if you
accessed it through a service such as iTunes or Spotify, indicate that instead.
Last Name, First Name, role. “Title of Episode.” Title of Program,
season, episode, Sponsor, Date, URL. Accessed Day Month Year.
Koenig, Sarah, host. “DUSTWUN.” Serial, season 2, episode 1, WBEZ, 10 Dec.
2015, serialpodcast.org/season-two/1/dustwun. Accessed 23 Apr. 2016.
Foss, Gilad, writer and performer. “Aquaman’s Brother-in-Law.”
Superhero Temp Agency, season 1, episode 1, 16 Apr. 2015. iTunes.
50. RADIO PROGRAM
Last Name, First Name, role. “Title of Episode.” Title of Program, Station,
Day Month Year of broadcast, URL. Accessed Day Month Year.
Glass, Ira, host. “In Defense of Ignorance.” This American Life, WBEZ,
22 Apr. 2016, thisamericanlife.org/radio-archives/episode/585/
in-defense-of-ignorance. Accessed 2 May 2016.
51. SOUND RECORDING
ONLINE
Last Name, First Name. “Title of Work.” Title of Album, Distributor, Date.
Name of Audio Service.
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38
Simone, Nina. “To Be Young, Gifted and Black.” Black Gold, RCA Records,
1969. Spotify.
CD
Last Name, First Name. “Title of Work.” Title of Album, Distributor, Date.
Brown, Greg. “Canned Goods.” The Live One, Red House, 1995.
52. TV SHOW
ORIGINAL BROADCAST
“Title of Episode.” Title of Show, role by First and Last Names,
season, episode, Network, Day Month Year.
“The Silencer.” Criminal Minds, written by Erica Messer, season 8,
episode 1, NBC, 26 Sept. 2012.
DVD
“Title of Episode.” Broadcast Year. Title of DVD, role by First and Last
Names, season, episode, Production Studio, Release Year, disc number.
“The Pants Tent.” 2003. Curb Your Enthusiasm: Season One, performance
by Larry David, season 1, episode 1, HBO Video, 2006, disc 1.
ONLINE
“Title of Episode.” Title of Show, season, episode, role by First and Last
Names (if any), Production Studio, Day Month Year. Name of Host
Site, URL. Accessed Day Month Year.
“Shadows in the Glass.” Marvel’s Daredevil, season 1, episode 8, Netflix,
10 Apr. 2015. Netflix, www.netflix.com/watch/80018198?trackId
=13752289&tctx=0%2C7%2Cbcfd6259-6e64-4d51-95ab-2a9f747e-
abf0-158552415. Accessed 3 Nov. 2015.
53. VIDEO GAME
Last Name, First Name, role. Title of Game. Distributor, Date of release.
Gaming System or Platform.
publication
title
author
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Metzen, Chris, and James Waugh, writers. StarCraft II: Legacy of the
Void. Blizzard Entertainment, 2015. OS X.
FORMATTING A RESEARCH PAPER
Name, course, title. MLA does not require a separate title page. In the
upper left-hand corner of your first page, include your name, your professor’s
name, the name of the course, and the date. Center the title of your paper
on the line after the date; capitalize it as you would a book title.
Page numbers. In the upper right-hand corner of each page, one-half
inch below the top of the page, include your last name and the page num-
ber. Number pages consecutively throughout your paper.
Font, spacing, margins, and indents. Choose a font that is easy to read
(such as Times New Roman) and that provides a clear contrast between regu-
lar and italic text. Double-space the entire paper, including your works
cited list. Set one-inch margins at the top, bottom, and sides of your text;
do not justify your text. The first line of each paragraph should be indented
one-half inch from the left margin.
Long quotations. When quoting more than three lines of poetry, more
than four lines of prose, or dialogue between characters in a drama, set
off the quotation from the rest of your text, indenting it one-half inch (or
five spaces) from the left margin. Do not use quotation marks, and put
any parenthetical documentation after the final punctuation.
In Eastward to Tartary , Kaplan captures ancient and contemporary
Antioch for us:
At the height of its glory in the Roman-Byzantine age, when it
had an amphitheater, public baths, aqueducts, and sewage pipes,
half a million people lived in Antioch. Today the population is
only 125,000. With sour relations between Turkey and Syria, and
unstable politics throughout the Middle East, Antioch is now a
backwater seedy and tumbledown, with relatively few tourists.
I found it altogether charming. (123)
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In the first stanza of Arnold’s “Dover Beach,” the exclamations make clear
that the speaker is addressing someone who is also present in the scene:
Come to the window, sweet is the night air!
Only, from the long line of spray
Where the sea meets the moon-blanched land,
Listen! You hear the grating roar
Of pebbles which the waves draw back, and fling. (6-10)
Be careful to maintain the poet’s line breaks. If a line does not  t on one
line of your paper, put the extra words on the next line. Indent that line
an additional quarter inch (or two spaces).
Illustrations. Insert illustrations close to the text that discusses them.
For tables, provide a number (Table 1) and a title on separate lines above
the table. Below the table, provide a caption and information about the
source. For graphs, photos, and other figures, provide a figure number
(Fig. 1), caption, and source information below the figure. If you give only
brief source information (such as a parenthetical note), or if the source is
cited elsewhere in your text, include it in your list of works cited. Be sure
to make clear how any illustrations relate to your point.
List of Works Cited. Start your list on a new page, following any notes.
Center the title and double-space the entire list. Begin each entry at the
left margin, and indent subsequent lines one-half inch (or five spaces).
Alphabetize the list by authors’ last names (or by editors’ or translators’
names, if appropriate). Alphabetize works with no author or editor by
title, disregarding A, An, and The. To cite more than one work by a single
author, list them as in no. 4 on page 15.
SAMPLE RESEARCH PAPER
The following report was written by Dylan Borchers for a  rst-year writing
course. It’s formatted according to the guidelines of the MLA (style.mla.org).
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Borchers 1
Dylan Borchers
Professor Bullock
English 102, Section 4
4 May 2012
Against the Odds:
Harry S. Truman and the Election of 1948
Just over a week before Election Day in 1948, a New York
Times article noted “[t]he popular view that Gov. Thomas E.
Dewey’s election as President is a foregone conclusion” (Egan).
This assessment of the race between incumbent Democrat Harry
S. Truman and Dewey, his Republican challenger, was echoed a
week later when Life magazine published a photograph whose
caption labeled Dewey “The Next President” (Photo of Truman 37).
In a Newsweek survey of fifty prominent political writers, each one
predicted Truman’s defeat, and Time correspondents declared that
Dewey would carry 39 of the 48 states (Donaldson 210). Nearly every
major media outlet across the United States endorsed Dewey and
lambasted Truman. As historian Robert H. Ferrell observes, even
Truman’s wife, Bess, thought he would be beaten (270).
The results of an election are not so easily predicted, as the
famous photograph in fig. 1 shows. Not only did Truman win the
election, but he won by a significant margin, with 303 electoral
votes and 24,179,259 popular votes, compared to Dewey’s 189
electoral votes and 21,991,291 popular votes (Donaldson 204-07).
In fact, many historians and political analysts argue that Truman
}
1
2
}
1”
Title centered.
Double-spaced
throughout.
1”1”
••
1”
Author named
in signal phrase,
page number in
parentheses.
Last name and
page number.
No page number
needed for one-
page source.
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42
would have won by an even greater margin had third-party
Progressive candidate Henry A. Wallace not split the Democratic
vote in New York State and Dixiecrat Strom Thurmond not won four
states in the South (McCullough 711). Although Truman’s defeat
was heavily predicted, those predictions themselves, Dewey’s
passiveness as a campaigner, and Truman’s zeal turned the tide for
a Truman victory.
In the months preceding the election, public opinion polls
predicted that Dewey would win by a large margin. Pollster Elmo
Roper stopped polling in September, believing there was no reason
to continue, given a seemingly inevitable Dewey landslide. Although
the margin narrowed as the election drew near, the other pollsters
Borchers 2
Fig. 1. President Harry S. Truman holds up an edition of the Chicago
Daily Tribune that mistakenly announced “Dewey Defeats Truman”
(Rollins).
Illustration is
positioned close
to the text to
which it relates,
with figure
number, caption,
and parenthetical
documentation.
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Borchers 3
predicted a Dewey win by at least 5 percent (Donaldson 209). Many
historians believe that these predictions aided the president in
the long run. First, surveys showing Dewey in the lead may have
prompted some of Dewey’s supporters to feel overconfident about
their candidate’s chances and therefore to stay home from the polls
on Election Day. Second, these same surveys may have energized
Democrats to mount late get-out-the-vote efforts (“1948 Truman-
Dewey Election”). Other analysts believe that the overwhelming
predictions of a Truman loss also kept at home some Democrats who
approved of Truman’s policies but saw a Truman loss as inevitable.
According to political analyst Samuel Lubell, those Democrats may
have saved Dewey from an even greater defeat (Hamby, Man 465).
Whatever the impact on the voters, the polling numbers had a
decided effect on Dewey.
Historians and political analysts alike cite Dewey’s overly
cautious campaign as one of the main reasons Truman was able
to achieve victory. Dewey firmly believed in public opinion polls.
With all indications pointing to an easy victory, Dewey and his
staff believed that all he had to do was bide his time and make
no foolish mistakes. Dewey himself said, “When you’re leading,
don’t talk” (Smith 30). Each of Dewey’s speeches was well crafted
and well rehearsed. As the leader in the race, he kept his remarks
faultlessly positive, with the result that he failed to deliver a solid
message or even mention Truman or any of Truman’s policies.
Eventually, Dewey began to be perceived as aloof and stuffy. One
1”
No signal phrase;
author and
page number in
parentheses.
Paragraphs
indented
}
1
2
}
inch
or 5 spaces.
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44
observer compared him to the plastic groom on top of a wedding
cake (Hamby, “Harry S. Truman”), and others noted his stiff, cold
demeanor (McCullough 671–74).
As his campaign continued, observers noted that Dewey
seemed uncomfortable in crowds, unable to connect with ordinary
people. And he made a number of blunders. One took place at a
train stop when the candidate, commenting on the number of
children in the crowd, said he was glad they had been let out of
school for his arrival. Unfortunately for Dewey, it was a Saturday
(“1948: The Great Truman Surprise”). Such gaffes gave voters the
feeling that Dewey was out of touch with the public.
Again and again through the autumn of 1948, Dewey’s
campaign speeches failed to address the issues, with the candidate
declaring that he did not want to “get down in the gutter” (Smith
515). When told by fellow Republicans that he was losing ground,
Dewey insisted that his campaign not alter its course. Even Time
magazine, though it endorsed and praised him, conceded that
his speeches were dull (McCullough 696). According to historian
Zachary Karabell, they were “notable only for taking place, not for
any specific message” (244). Dewey’s numbers in the polls slipped
in the weeks before the election, but he still held a comfortable
lead over Truman. It would take Truman’s famous whistle-stop
campaign to make the difference.
Few candidates in US history have campaigned for the
presidency with more passion and faith than Harry Truman. In
Borchers 4
Two works cited
within the same
sentence.
Title used when
there’s no known
author.
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Borchers 5
the autumn of 1948, he wrote to his sister, “It will be the greatest
campaign any President ever made. Win, lose, or draw, people will
know where I stand” (91). For thirty-three days, Truman traveled
the nation, giving hundreds of speeches from the back of the
Ferdinand Magellan railroad car. In the same letter, he described the
pace: “We made about 140 stops and I spoke over 147 times, shook
hands with at least 30,000 and am in good condition to start out
again tomorrow for Wilmington, Philadelphia, Jersey City, Newark,
Albany and Buffalo” (91). McCullough writes of Truman’s
campaign:
No President in history had ever gone so far in quest of
support from the people, or with less cause for the effort,
to judge by informed opinion. ... As a test of his skills and
judgment as a professional politician, not to say his stamina
and disposition at age sixty-four, it would be like no other
experience in his long, often difficult career, as he himself
understood perfectly. More than any other event in his public
life, or in his presidency thus far, it would reveal the kind of
man he was. (655)
He spoke in large cities and small towns, defending his
policies and attacking Republicans. As a former farmer and
relatively late bloomer, Truman was able to connect with the public.
He developed an energetic style, usually speaking from notes rather
than from a prepared speech, and often mingled with the crowds
that met his train. These crowds grew larger as the campaign
Parenthetical
reference
after final
punctuation.
Quotations of
more than 4 lines
indented
}
1
2
}
inch
(5 spaces) and
double-spaced.
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46
progressed. In Chicago, over half a million people lined the streets
as he passed, and in St. Paul the crowd numbered over 25,000.
When Dewey entered St. Paul two days later, he was greeted by
only 7,000 supporters (“1948 Truman-Dewey Election”). Reporters
brushed off the large crowds as mere curiosity seekers wanting to
see a president (McCullough 682). Yet Truman persisted, even if
he often seemed to be the only one who thought he could win. By
going directly to the American people and connecting with them,
Truman built the momentum needed to surpass Dewey and win the
election.
The legacy and lessons of Truman’s whistle-stop campaign
continue to be studied by political analysts, and politicians today
often mimic his campaign methods by scheduling multiple visits
to key states, as Truman did. He visited California, Illinois, and
Ohio 48 times, compared with 6 visits to those states by Dewey.
Political scientist Thomas M. Holbrook concludes that his strategic
campaigning in those states and others gave Truman the electoral
votes he needed to win (61, 65).
The 1948 election also had an effect on pollsters, who, as
Elmo Roper admitted, “couldn’t have been more wrong.” Life
magazine’s editors concluded that pollsters as well as reporters and
commentators were too convinced of a Dewey victory to analyze
the polls seriously, especially the opinions of undecided voters
(Karabell 256). Pollsters assumed that undecided voters would vote
in the same proportion as decided voters and that turned out
Borchers 6
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47
to be a false assumption (Karabell 257). In fact, the lopsidedness
of the polls might have led voters who supported Truman to
call themselves undecided out of an unwillingness to associate
themselves with the losing side, further skewing the polls’ results
(McDonald et al. 152). Such errors led pollsters to change their
methods significantly after the 1948 election.
After the election, many political analysts, journalists, and
historians concluded that the Truman upset was in fact a victory
for the American people, who, the New Republic noted, “couldn’t
be ticketed by the polls, knew its own mind and had picked the
rather unlikely but courageous figure of Truman to carry its banner”
(T.R.B. 3). How “unlikely” is unclear, however; Truman biographer
Alonzo Hamby notes that “polls of scholars consistently rank
Truman among the top eight presidents in American history”
(Man 641). But despite Truman’s high standing, and despite the
fact that the whistle-stop campaign is now part of our political
landscape, politicians have increasingly imitated the style of the
Dewey campaign, with its “packaged candidate who ran so as not to
lose, who steered clear of controversy, and who made a good show
of appearing presidential” (Karabell 266). The election of 1948 shows
that voters are not necessarily swayed by polls, but it may have
presaged the packaging of candidates by public relations experts, to
the detriment of public debate on the issues in future presidential
elections.
Borchers 7
Work by 3 or
more authors is
shortened using
et al.
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48
Works Cited
Donaldson, Gary A. Truman Defeats Dewey. UP of Kentucky, 1999.
Egan, Leo. “Talk Is Now Turning to the Dewey Cabinet.” The
New York Times, 20 Oct. 1948, p. 8E, www.nytimes.com/
timesmachine/1948/10/26/issue.html. Accessed 18 Apr. 2012.
Ferrell, Robert H. Harry S. Truman: A Life. U of Missouri P, 1994.
Hamby, Alonzo L., editor. “Harry S. Truman: Campaigns and
Elections.” American President, Miller Center, U of Virginia,
11 Jan. 2012, millercenter.org/president/biography/truman-
campaigns-and-elections. Accessed 17 Mar. 2012.
- - -. Man of the People: A Life of Harry S. Truman. Oxford UP, 1995.
Holbrook, Thomas M. “Did the Whistle-Stop Campaign Matter?” PS:
Political Science and Politics, vol. 35, no. 1, Mar. 2002, pp. 59-66.
Karabell, Zachary. The Last Campaign: How Harry Truman Won the
1948 Election. Alfred A. Knopf, 2000.
McCullough, David. Truman. Simon and Schuster, 1992.
McDonald, Daniel G., et al. “The Spiral of Silence in the 1948
Presidential Election.” Communication Research, vol. 28, no. 2,
Apr. 2001, pp. 139-55.
“1948: The Great Truman Surprise.” The Press and the Presidency,
Dept. of Political Science and International Affairs, Kennesaw
State U, 29 Oct. 2003, kennesaw.edu/pols.3380/pres/1984.html.
Accessed 10 Apr. 2012.
Borchers 8
1”
Heading
centered.
Alphabetized
by authors’ last
names.
Double-spaced.
Each entry
begins at the
left margin;
subsequent
lines are indented.
Multiple works
by a single
author listed
alphabetically by
title. For second
and subsequent
works, replace
author’s name
with three
hyphens.
Sources
beginning with
numerals are
alphabetized
as if the number
were spelled out.
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“1948 Truman-Dewey Election.” American Political History, Eagleton
Institute of Politics, Rutgers, State U of New Jersey,
1995-2012, www.eagleton.rutgers.edu/research/
americanhistory/ap_trumandewey.php. Accessed 18 Apr. 2012.
Photo of Truman in San Francisco. “The Next President Travels by
Ferry Boat over the Broad Waters of San Francisco Bay.” Life,
1 Nov. 1948, p. 37. Google Books, books.google.com/books?id=
ekoEAAAAMBAJ&printsec=frontcover#v=onepage&q&f=false.
Accessed 20 Apr. 2012.
Rollins, Byron. “President Truman with Chicago Daily Tribune
Headline of ‘Dewey Defeats Truman.’ ” Associated Press, 4 Nov.
1948. Harry S. Truman Library & Museum, www.trumanlibrary.
org/photographs/view.php?id=25248. Accessed 20 Apr. 2012.
Roper, Elmo. “Roper Eats Crow; Seeks Reason for Vote Upset.”
Evening Independent, 6 Nov. 1948, p. 10. Google News, news.
google.com/newspapers?nid=PZE8UkGerEcC&dat=19481106&
printsec=frontpage&hl=en. Accessed 13 Apr. 2012.
Smith, Richard Norton. Thomas E. Dewey and His Times. Simon and
Schuster, 1982.
T.R.B. “Washington Wire.” The New Republic, 15 Nov. 1948, pp. 3-4.
EBSCOhost, search.ebscohost.com/login.aspx?direct=true&db
=tsh&AN=14779640&site=ehost-live. Accessed 20 Apr. 2012.
Truman, Harry S. “Campaigning, Letter, October 5, 1948.” Harry S.
Truman, edited by Robert H. Ferrell, CQ P, 2003, p. 91.
Borchers 9
Every source
used is in the list
of works cited.
A range of
dates is given
for web projects
developed over a
period of time.
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