UNITED STATES DISTRICT COURT
CENTRAL DISTRICT OF CALIFORNIA
CIVIL MINUTES - GENERAL
Case No. 2:12-cv-8961-SVW-RZ Date February 11, 2013
Title Angela L. Wilder v. CBS Corporation, et al.
:
Initials of Preparer PMC
CV-90 (06/04) CIVIL MINUTES - GENERAL Page 10 of 18
seek recovery for “the alleged encroachment on one’s exclusive right to profit from sale or reproduction
of one’s original work(s) of authorship,” and therefore are not “qualitatively different” from those rights
protected by copyright. Idema v. Dreamworks, Inc., 162 F. Supp. 2d 1129, 1193 (C.D. Cal. 2001), aff'd
in part, dismissed in part on other grounds, 90 F. App'x 496 (9th Cir. 2003); see also NIMMER §
1.01[B][1][a][ii] (“Insofar as unauthorized reproduction, distribution, performance, or display causes the
plaintiff to lose the benefits that would flow from an actual or prospective contract do not appear to
differ qualitatively from rights under copyright,” as copyright “also contemplates loss of actual or
prospective contract benefit by reason of such unauthorized acts.”). Courts considering claims of
intentional interference with contract and intentional interference with prospective economic advantage
have held them both preempted when based on an allegation that a defendant used a plaintiff’s idea
without her authorization. See Sybersound, 517 F.3d at 1151 (holding that “to the extent an alleged
wrongful act by the Corporation Defendants is based on copyright infringement, it is preempted”); Wild
v. NBC Universal, Inc., 788 F. Supp. 2d 1083, 1110-11 (C.D. Cal. 2011) (finding a claim of intentional
interference with prospective economic advantage preempted when the plaintiff alleged that the
defendants “were aware of certain unspecified continuing and advantageous economic relationships and
intended to interfere with and disrupt them by wrongfully incorporating themes, story lines, plots,
characters, and locations of [the plaintiff’s work] into [the defendant’s work]”); Idema, 162 F. Supp. 2d
at 1193 (finding a claim of intentional interference with prospective economic advantage preempted
when the plaintiff alleged that the defendants copied the contents of plaintiff’s original work); see also
See Stromback v. New Line Cinema, 384 F.3d 283, 306 (6th Cir. 2004) (“Generally, tortious
interference claims (with contract or prospective economic advantage) are held to be preempted because
the rights asserted in such claims are not qualitatively different from the rights protected by copyright.”);
Harper & Row Publishers, Inc. v. Nation Enterprises, 723 F.2d 195, 201 (2d Cir. 1983) rev'd on other
grounds, 471 U.S. 539 (1985) (holding that a tortious interference with contract claim was preempted by
the Act where the claim alleged an “unauthorized publication”).
Here, Plaintiff’s tortious interference and conspiracy claims each arise out of her allegation that
Defendants took Plaintiff’s “confidential and original work and exploit[ed] it for their own gains when
they produced and distributed ‘The Talk.’” Compl. ¶¶ 106, 112, 123. This allegation amounts to
nothing more than a claim that Defendants encroached upon Plaintiff’s exclusive right to profit from
sale or reproduction of Plaintiff’s original work, and therefore, like the claims in Idema and Wild, are
not “qualitatively different” from those guaranteed by the Copyright Act. These claims are thus
preempted by the Copyright Act.
Plaintiff argues that her tortious interference with contract claim is not preempted because the
claim involves her “contractual rights”—that is, the benefits that “would have flown from the
Case 2:12-cv-08961-SVW-RZ Document 39 Filed 02/13/13 Page 10 of 18 Page ID #:491